完整後設資料紀錄
DC 欄位語言
dc.contributor.authorPi-Li Hsiao
dc.contributor.other蕭碧莉
dc.date.accessioned2020-08-25T06:50:34Z-
dc.date.available2020-08-25T06:50:34Z-
dc.date.issued2012/09/19
dc.identifier.issn1682-587N
dc.identifier.urihttp://dspace.fcu.edu.tw/handle/2376/2340-
dc.description.abstractIn The Joy Luck Club and The Kitchen God’s Wife, Amy Tan lists food items and portrays meals and parties from time to time. The texts provide adequate evidences to support the argument that Tan does not attempt to display food only. Food imagery has a three-fold purpose. First, food references help enrich the portrayal of characters._x000D_ Second, activities concerning food, such as eating and cooking, symbolize power relations between man and woman, or between mother and daughter. Third, Tan’s treatment of Chinese cookery shows how a Chinese American daughter gazes her mother’s culture. It also indicates the daughter’s ambiguous cultural identity.
dc.description.sponsorship逢甲大學
dc.format.extent23
dc.language.iso英文
dc.relation.ispartofseries逢甲人文社會學報
dc.relation.isversionof第一期
dc.subjectAmy Tan
dc.subjectfood
dc.subjectcooking
dc.subjectpower relations
dc.subjectculture
dc.subjectChinese American literature
dc.subject.other譚恩美
dc.subject.other食物
dc.subject.other烹飪
dc.subject.other權力關係
dc.subject.other文化
dc.subject.other華美文學
dc.titleFood Imagery in Amy Tan’s The Joy Luck Club and The Kitchen God’s Wife
dc.title.alternative譚恩美《喜福會》與《灶君娘娘》中 之食物意象
dc.type期刊篇目
dc.description.translationabstract在《喜福會》與《灶君娘娘》中,譚恩美不時列出食物清單、描述大宴小酌。文本中有充分證據顯示,譚恩美並不以展示食物為唯一意圖。食物意象有三重目的。第一,食物意象有助於書中角色之塑造。第二,與食物有關之活動,例如吃喝及烹飪,象徵男/女或母/女間之權力關係。第三,譚恩美描述中式烹飪的手法,足以反映華裔美籍女兒對母國文化的看法,及其曖昧不明的文化認同。
分類:第01期

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