完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.author | 陳富容 | |
| dc.contributor.other | Fu-jung Chen | |
| dc.date.accessioned | 2020-08-25T07:09:44Z | - |
| dc.date.available | 2020-08-25T07:09:44Z | - |
| dc.date.issued | 2011/06/01 | |
| dc.identifier.issn | 1682-587N | |
| dc.identifier.uri | http://dspace.fcu.edu.tw/handle/2376/2555 | - |
| dc.description.abstract | 現代華語流行歌詞的研究，相對於其它文類而言，至今仍未受到應有的重 視，而在為數不多的流行歌曲研究中，歌詞格律的研究，更是鮮少。在多數人的 認知中，現代流行歌詞的創作，正是以其格律之自由無限制，才使得普遍大眾樂 於從事的。但筆者觀察發現，現代華語流行歌詞的創作，自有一套合於音樂的隱 性規律，偏離了這些規律，依然會導致歌曲的不順耳或歌詞意境之難解。 本文之研究，試圖透過中國歷代曲論家對文學與音樂關係之觀察，並配合現 代華語流行歌曲的特性，探索現代華語流行歌詞的字數、句數、句式、聲調、押 韻等格式規律，及其聲情與辭情的關係，接續中國音樂文學一脈相傳的格律論。 並藉由格律的分析，比較現代 | |
| dc.description.sponsorship | 逢甲大學 | |
| dc.relation.ispartofseries | 逢甲人文社會學報 | |
| dc.relation.isversionof | 第二十二期 | |
| dc.subject | 流行歌曲 | |
| dc.subject | 歌詞 | |
| dc.subject | 詞曲 | |
| dc.subject | 格律 | |
| dc.subject.other | popular song | |
| dc.subject.other | lyrics | |
| dc.subject.other | Ci and Qu | |
| dc.subject.other | meter | |
| dc.title | 現代華語流行歌詞格律初探 | |
| dc.title.alternative | The initially search of meter of modern Chinese popular lyrics | |
| dc.type | 期刊篇目 | |
| dc.description.translationabstract | The research of popular lyrics has not received seriously what is opposite to other literatures in the academia. But in the present few in number popular song research, the research of lyrics meter has not been mentioned. Generally, the creation of modern popular song is unlimited by its meter, that causes people to be engaged pleasantly. Actually,when we enter the popular song domain, it is detectable that the modern Chinese popular lyrics' creation still some recessive rules with melody. Therefore, I attempt to discuss the rules of modern Chinese popular lyrics form the number of words, number of sentences, sentence type, intonation, rhyme, and the sound sentiment and the language sentiment's relations,to follow the search of meter of theories of the Chinese classical music literatures. It is compared with the meter analysis of modern music literature and the classical music literature', we can understand the modern Chinese popular lyrics about its inheritance and innovation. | |
| 分類: | 第22期 | |
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